A deadly virus is stolen from the high-security laboratory of a biotechnology company. Although the thief can be found, lifeless and bleeding from the nose and ears, the danger is not over yet: A gang of unscrupulous criminals is also on the hunt for the virus. Super-GAU at Oxenford Medical: A lab technician has stolen a rabbit infected with the deadly Madoba-2 virus from the high-security laboratory near Edinburgh. After the thief's gruesome death by infection, a frantic damage limitation operation begins. Toni Gallo, the head of security at Oxenford, realizes that the theft is only the prelude to an even greater catastrophe, because only a few days later criminals attack the laboratory and steal the virus. When a terrible snowstorm condemns the police to inactivity, Toni takes up the pursuit of the perpetrators alone...

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Birgit Cullberg's 1950 dance adaptation of Miss Julie was the breakthrough for modern dance in Sweden. 30 years later one of her sons plays the role of Jean in this adaptation for TV.

Documentary about Ken Loach and Rosa Ayala, a janitor who worked as an extra in the picture 'Bread and Roses'

An interview with Ken, one of the coolest modern icons of the past 5 decades, in his injection molded mansion.

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Afro-Ken, a dog with a rainbow-colored afro, is a happy dog that does not speak. He likes things that look like him, such as cotton candy. There are different types of Afro-Ken, with different hairstyles, such as a mohawk (called Mohican-Ken), curls (Curly-Ken), and no hair (Normal-Ken).

The story chronicles the adventures of Ken Tamaki, hotshot practitioner of the traditional Japanese skill toy “kendama.” But kendama is no mere toy. Ken battles rivals, defeats corrupt organizations and even finds love through his favorite pastime. The stakes are high indeed and Ken will have to face his own inner demons if he wants to live to play kendama (or perhaps become a kendama-man!) another day.

A “Cinéma, de notre temps” series episode directed by french filmmaker Karim Dridi, originally aired 2 July 1997.

A documentary on the films of Ken Loach. Interviews with cast and crew who worked with Loach over the years. It describe his approach to allowing actors a wide range of freedom.